#Best photographers in orlando

[rayanthonyphotography]

Wedding Pose Mistakes to Avoid

Too many kisses Too fast Practice too much Don't forget to tell the photographer your preferences.Avoid New Trends Rely fully on the camera Working on a Big Fat Wedding Alone

Most of the wedding pose mistakes are due to the couple acting stiff and awkward. That's why wedding photographers and videographers advise pretending the couple wasn't there, but that's easier said than done. So what are some easy fixes to pose naturally for the camera? Photographers should remind you, but of course, when in doubt, kissing is the best pose. 

Here are some mistakes that you can avoid during wedding photography: 

This doesn't Mean the number of times you kiss, it's only how you kiss. You want a neat and clean kiss to make it look good this is what Ray Anthony photography's trained photographers says. Also, turn your head far enough to avoid pinching your partner's nose. If you feel like you're being squeezed, you probably are.

Walking photos are good for couples and large wedding receptions, but should be done slowly and not like a marathon. Often the wedding party goes far ahead. Just slow down and mingle with each other.

While the bride and groom may want to perfect their smiles before the wedding, it's recommended to spend that time elsewhere. Don't practice too much. When a couple tries to practice smiling and starts looking overconfident it looks more attractive but even the face needs to relax to give better results at the right time. 

Photographers know better techniques and poses than a normal person. Discussion with the photographer about your pose can help him correct you or get you ready for the same. It's very important to discuss every small detail to avoid any problem at the final time.

Stay on top of the latest trends in wedding photography. All couples of this age have a clear understanding of how wedding photography can change from time to time. Follow professional wedding blogs and articles on sites like  for the latest updates. .

Don't believe that the only thing that matters is the camera. But it's not the camera you use that counts, it's the experience of the photographer. There are professional photographers in the world who take great wedding photos even with iPhones. So forget going for costly equipment, go for the best photographers in orlando. They will bring better results than untrained photographers with costly equipment. 

If you're planning on shooting a big fat wedding with a single photographer, things can get a little confusing. You definitely need help with lighting setups, gear layouts, and other similar things. Putting all this on a single person  can cause you to miss important moments in your wedding. It's always better to be safe than regret later.  You can avoid misunderstandings later with more than one photographer. 

I hope the above article helps you in making the right decision and avoiding the mistakes in wedding photography. 

[polkbros1]

Best Wedding Photographer in Orlando

Looking for the best wedding photographer in Orlando? PolkBros is dedicated to capturing the magic of your wedding day with creativity and precision. Our team knows Orlando’s most picturesque locations, ensuring your wedding photos are nothing short of spectacular. We focus on capturing both the big moments and the small details that make your day unique. With a blend of candid shots and beautifully composed portraits, we create a wedding album that tells the complete story of your special day. Trust PolkBros to provide you with wedding photos that you’ll cherish for a lifetime.

[puckinghischier]

Taking Nico to Disney: Headcannons

i know this is a little…specific, but as someone who has both grown up going to and has worked at disney world…HEAR ME OUT!!!

- you’ve always wanted to go to disney with nico, but the timing has never been right with off-season training, play offs, his trips back home to visit his family, and whatever else comes up. but this time? this time you’re making it happen.

- the trip has been booked, flights arranged, and your glorious week of magic and quality time with nico was finally upon you.

- he’d be just as giddy as you are. the minute he found out about your love for the theme parks, he told you how he always wanted to go as a kid, but obviously a trip to orlando is hard for a swiss kid.

- he insisted on buying themed luggage, themed shirts, themed hats, and he even bought themed socks.

- when you mentioned matching shirts as a joke, his eyes lit up, excited at the idea. he’d search for hours for the funniest pairs, buying a couple of sets, but not telling you what they were until you were there.

- your first day, of course you’d go to the magic kingdom. you were so excited to see nico’s reactions to all of the fairytales come to life throughout the park.

- you made him walk in front of you as you walked backwards around the corner on main street, wanting to see his reaction to the castle for the first time. you were lucky he was so distracted by the large structure to notice your crying, his amazed eyes and small “wow,” as he stopped walking to take it all in really got your emotions stirred.

- he’d follow your lead all day, trailing behind you with a map while you yapped and explained all about your favorite things to do as a kid. eventually you’d take the map from him, telling him you know exactly how to get around the park. “schatz, i’m trying to see what rides i want to do, give it back,” he’d argue with a huff. “neeks, we’re doing everything, don’t worry about it.”

- you loved watching his excitement and wonder with every ride the two of you went on. your heart melted at his giggles at the scenes on pirates of the caribbean, him singing along to the german (and french) section of small world, his bewilderment at the special effects of haunted mansion, his foot taps to the beat and amusement during enchanted tiki room, his screams on space mountain, his competitiveness on the buzz light year ride, his need to lift dumbo to the top for the whole ride, and his genuine cackles at every joke during jungle cruise.

- he’d also make you stop every time he saw a photographer, wanting every picture he could get from this trip. you’d happily oblige, loving all of the different fun and cute poses the photopass photographers would have you do. and the pictures where they added little effects and characters? nico has every one saved to his phone.

- and the food? good lord nico was in calorie heaven. “what do you mean i can get a foot long hot dog?” “i read about this big ice cream sundae in a mickey sink, can we get one please?” “i can’t eat this pretzel…mickey’s looking at me!”

- speaking of mickey, when it comes time for the two of you to meet the famous mouse? nico is as excited as a kid (more than child in line in front of you, honestly). he’s nearly bouncing up and down by the time it’s your turn, speed walking to the small mouse and engulfing him in a crushing hug. mickey would point out your matching shirts, ‘laughing’ silently at his “we finish each other’s” shirt and your “sandwiches.” shirt. you’d watch nico’s chest puff out, proud he got a laugh out of mickey. your lock screen from that moment on is a candid picture of you laughing and nico’s own dimpled expression while both of you look at the mouse, amused with his implied words.

- when it comes to the fireworks at the end of the night, you’re camping out to make sure nico has the absolute best possible view. guarding your spot with your life as he goes and gets something for to two of you to snack on while you wait. “god, i’m glad you’re back, this women tried to sit her four kids down right in your spot!” you’d sigh in relief while he handed you a fried corn dog. “y/n…you should’ve just let the kids sit here, it’s fine,” he’d laugh out. “no! your first fireworks experience is going to be perfect,” you’d huff, crossing your arms in a pout.

- when the fireworks started, nico would do the cliche of standing behind you while wrapping his arms around you from behind, resting his chin on your shoulder while your own hands rested atop of his wrapped around your waist. you’d hum along to the various songs incorporated into the show while nico watched intently, eyes sparkling with the images in the sky. he’d give little kisses to your cheek and neck during the section that showcases all of the different disney couples, whispering a small “thank you so much for bringing me here, i love you,” into your ear.

- the other parks? nico loved just as much. he spent hours in the star wars section of hollywood studios (and rode tower of terror as many times as you wanted). he enjoyed drinking, and more importantly eating, around the world in epcot, not caring about the amount of time he’d have to spend in the gym once the two of you got home. at animal kingdom, he’d keep dragging you from animal exhibit to animal exhibit, obsessively play carnival games in the dinoland section to win a stuffed dinosaur, and talk about how amazingly intense the avatar ride was for the rest of the day.

- and the second you two got back to jersey? immediately on the phone with his family, already planning a trip next off season to fly them out and take them with the two of you, wanting to experience the whole thing with his family like he wanted to when he was a little boy.

- and the next summer, when that trip came around, you got to watch him play tour guide to his parents and siblings. explaining to them everything you explained to him during his first trip. of course, like you always do, you started and ended your trip at magic kingdom. the last day of the trip with his family, though, he dropped to one knee during the fireworks and proposed to you right then and there. you always told him how even though people say it’s cliche, you always loved watching people get engaged in front of the castle, and now you were the one people were cheering and clapping for.

- and a year later, when the two of you were able to have the wedding of your dreams, the first place he flew you to was disney. you had booked an all inclusive, tropical island getaway for your honeymoon, but nico wanted to surprise you with a couple days in your his favorite place first.

- in true fashion, you started off your honeymoon in none other than magic kingdom. this time, however, any time the two of you would pass the spot where he proposed to you, he’d stop and tell anyone and everyone that walked by “this is where i proposed to her! and now she’s my wife!” while taking your wrist in his hand, holding your own up to show off the shiny ring on your finger. he’d even make you two get the matching bride and groom ear hats, customizing them with your wedding date. and the second he found out about the ‘happily ever after buttons?’ he was rushing to guest services to get a set for the two of you to wear (and he did, proudly, right on his chest).

- don’t even get me started on when the two of you decide to start a family, and your pregnancy is timed up perfectly with your (now annual) trip. you’d not only announce your pregnancy with a recreation of some themed announcement picture you found online, but also do your gender reveal the same trip. you’d take the sealed envelope to mickey, giving him the honor of revealing the gender of your unborn child.

- and the first trip the two of you take as a family of three?? oh god. nico is just…over the moon. he’s showing them everything, as if they’ll actually remember the trip. “and this is where your daddy proposed to your mommy, and this is where we told the world about you, and this is where your daddy ate a foot long hot dog for the first time, which is a really bad idea and he doesn’t recommend it,” he’d speak to your infant in a carrier strapped to his chest, bouncing and bobbing them along.

- and the year he lead the devils to a stanley cup win? you had the BIGGEST surprise waiting on him during the trip he still insisted your family go on. you arranged with the team to fly the stanley cup down to orlando for a day, and managed to get into contact with disney management, ensuring nico and your kids get their own, private meet and greet with mickey and the stanley cup. you worked with tom and the equipment managers and disney wardrobe experts themselves to special order a customized devils jersey for the mouse. so when nico rounded the corner into the large room, thinking it was your normal mickey greet, only to see mickey standing there, in a devils jersey beside of the cup sitting on a large table, the look on his face made all the planning and hassle worth it. the league had even sent representatives out to get their own promo pics, having nico pose with a stick in his own jersey beside the character. to this day, you still laugh at how it’s the league’s most liked picture on instagram.

- and as your family grew, the trips became better and better each year, but you always appreciated the times you and nico got to go without your kids, thinking back to that first trip you were able to show him your love for the place and watching his childlike wonder. he still tells everyone he proposed to you there every time you walk across your spot. he still points it out to your children every trip. he still makes sure your entire family is wearing matching shirts each trip. and he still has that first-trip wonder on his face each trip, still in awe of all the disney magic. but most of all, he’s in awe of you, the life you’ve built together, and your love of this place you poured into him resulting in the memories it holds for the two of you and your family.

[herpsandbirds]

Solomon Island Prehensile-tailed Skink (Corucia zebrata), mother and baby, family Scincidae, endemic to the Solomon Islands archipelago

Arboreal, herbivorous, crepuscular.

The largest known species of skink, they can grow to a total length of 32 inches (81 cm).

Live-bearing, they provide parental care for the young, after birth, as well. Females are known to be fiercely protective of the young.

They are actually social, and live in extended family groups.

This has been scientifically proven to be one of the best lizards, and I love them.

photograph via: Orlando Science Center

[ferrstappen]

hey bubs, dunno if your taking requests still but I was wondering if you could write dad!Max taking his kids to a theme park for the first time, maybe Disney?

Thank you in advance

Disney World Break (Max Verstappen x fem reader

Max insisted, like really insisted on taking the kids to Disney World, you were already in Miami and a flight to Orlando would be short forty-five minutes.

You, on the other hand, weren’t so thrilled about the idea of taking two four-year-old to a theme park, walking under the humid sun for hours, packed with people from all over the world who could recognize your very famous husband.

The twins, Luca and Mila, both carbon copies of their father, pleaded you to go during the entire flight from Azerbaijan to Florida, encouraged by their father.

“Max, they’re too young to go, they’ll last two hours, tops” You told him as the twins were sleeping, cuddling each other.

“We can take breaks or whatever, we’ll take one of those VIP tours so we can skip lines,” Max hummed at the feeling of your fingers threading through his hair while his head rested on your lap.

Something flashed as you looked at him, always acting like a child outside the track, maybe because he was trying to connect with his inner child, and it all made sense. “Baby, have you ever been to Disney World?”

Blue eyes made contact with yours, his hands finding their home on your thigh. “No, not in Orlando at least. Mum and dad took a Victoria and I to Disneyland in France, but I don’t remember much”

Those words were enough to make you close your eyes and take a deep breath, knowing both Max and you were going to regret this, but it was going to be another adventure for your books. “Ok, baby. We are going to Disney world. You better book that VIP shot soon, and of course we’re going to Magic Kingdom.”

Fast forward two days and you were on the entrance of the park, Max helping Luca to choose his first ears, all while carrying Mila on his arms and telling her to choose whatever she wanted.

“Those ears look really great on you, my love.” You knelt in front of your son, fixing his hair so it wouldn’t look messy.

Just as you were speaking with your private tour guide, Max walked next to you, placing his hand on your waist and gently squeezing it to catch your attention.

“Put them on, liefde.” Max placed a pair of classic Minnie ears, as he adjusted his own Mickey hat.

It seemed like you were not only in charge of your twins, somewhere along the way after riding the Jungle Cruise, your husband started taking Luca and Mila to every shop, money not being an issue as the twins overindulged in merch and sweets.

“What do you think about going to the teacups next?” Max asked Mila, who was on his shoulders.

“Daddy, I’m tired.” Mila complained.

The whispered I told you so didn’t pass unnoticed by Max, who playfully placed his hand very near your ass.

“Max! It’s full of children here, have some respect!” You laughed, placing a kiss on his chin, only to be interrupted.

“Eww! Mama and daddy don’t!” Luca said making a disgusted expression, only to be reprimanded by his sister.

“How about we head to the castle and take our family photo?” You suggested and Max agreed, asking the guide to walk you to the best picture spot.

The sun was glowing, the four of you wearing your ears. Mila was in front of you while Luca was in front of Max who placed a hand on his shoulder and another on your ass, giving it a light squeeze just as the photographer snapped the picture.

This wasn’t a vacation, though. Just after the fireworks exploded, you were on a SUV, full of Disney World bags including multiple t-shirts, dolls, Mickey Mouse replicas, a play set of Cinderella castle driving to the airport where the jet was already waiting for the four of you.

You laughed after noticing multiple Pandora jewelry bags full of Disney charms, bracelets and earrings, even if you insisted to Max that Mila would never wear them. Max didn’t care, whatever his princess wanted, whatever his princess would get.

Max and you were still wearing your ears, staring at Mila and Luca who were both sleeping between the two of you.

“So, what do you say to a week long Disney vacation when the season’s over?” Max proposed and you giggled.

“Only if you ride all the roller coasters with them while I eat my churro” You answered and Max laughed; his gorgeous cackle which made the corner of his eyes crinkle and his mouth form the most beautiful smile before leaning to leave a kiss on your lips, careful to not disturb the twins.

“Deal”

[charlidos]

"With Mr. Mortensen, Bloom "lost" himself in the New Zealand wilderness. 14 hours later they both returned to the LotR set bruised and thirsty and with a photo that's reputed to be the best ever taken of Orlando. If Mortensen would only release it."

In the myth of Viggo and Orlando's adventures in New Zealand and Middle Earth, this is my favourite legendary tale; two men getting lost and spending a night in a New Zealand rainforest, a "moonless night" 24 years ago. The leader of the pack taking the eager young pup on an adventure, Viggo the romantic renaissance man and Orlando's I'll-follow-you-on-any-adventure adoration. It is indeed the stuff of legends. And like all legends, the story changes over time.

So here's all we know, all we can guess and all we can blissfully imagine.

To begin with, the video interview is from 2004, and the info that Orlando was the "friend" accompaning him is from 2005. However, when Viggo told the same story back in 2003, he was alone, no friend mentioned.

"One time, I was in the rainforest near the west coast of the South Island. It was on a shooting break, one of those incredibly rare weekends where I actually had a Saturday off. So I just went down there for a day and a night to a place that I'd been to before. I wanted to get to the coast, so I headed into the woods, but it was a bit of a hike and it suddenly got dark. I hadn't brought a flashlight with me, which was a bit stupid, because I thought I knew the trail really well. But then I got lost. There was no moon and it was overcast, so it was just completely pitch black, especially as the vegetation was really dense and thorny. But I did have a camera with me, which had a flash, and a couple of rolls of film. So I used the flash to try and find my way out. For a second you could see everything around, so I was using the flash to try and find the trail. I kept thinking, 'It must be around here somewhere', but I never did find it. And then I ran out of film. At some point I was just getting really tired and ended up in a marshy area. I was falling down all the time, getting cut by thorns and I thought, 'This is stupid'. So, I found a piece of relatively high ground and lay down for a little while, until the moon came up. Luckily, when the moon arrived I managed to get my bearings and eventually I was able to figure out how to get back to where I started from. It was a huge relief, but when I showed up back on the set, I really alarmed everyone because it looked like I'd been through a grinder."

How come Orlando joined him on this trip into the wild? I can only speculate (it's what I'm here for, making an epic mountain of a molehill), but Orlando is famously very keen on adventure, so I'm sure he was eager to join. Moreover, he obviously worshipped the ground Viggo walked on (his "guardian angel" who has the skills to basically manage anything. Orlando probably thought "what could possibly go wrong?") and took any opportunity to follow his king. In other words, I don't think Orlando was hard pressed about coming along.

Why did Viggo ask Orlando then? Because he knew Orlando would say yes? Because he knew Orlando would appreciate it, more than the others? Because Orlando was the only other actor having a day off? Because Viggo felt a strong urge to share this beautiful and amazing place with him? Because of the chance to spend quality time with his sweet elf boy?

In Viggo's excellent plan for the hike, they'd be back soon, "in time for dinner". But instead they got lost. Maybe the prescence of the pretty elf prince distracted him? Or maybe he was being overly confident in his abilities, and perhaps wanting to show off a little? Even Viggo will want to impress people he likes, I'm sure.

Viggo brought his camera, photographer that he is. But he also brought an extra roll of film, suggesting he was planning to take a lot of pics. Maybe he wanted to photograph Orlando out in the woods; a beautiful elf in his natural element. But then he seems to quite quickly spend all the film on finding the way, running out before they were even remotely near home. Maybe he panicked a bit? Or maybe he really just wanted to get cool, impromptu photos for a book.

"When I developed the film, which was black and white, there were some really interesting images. The flash had lit up the ground, the foliage and these ferns which are typical of New Zealand. Some of them are almost like negatives because there was this fog and the flash was bouncing off them creating a really strange effect. It's quite unusual because there are these delicate ferns with their little tendrils and all the whiteness around them which makes them look like Japanese prints. I printed off four of them, which I've called Lost 1, 2, 3 and 4. You can see them on the internet."

(This is the first rendering of the tale, in 2002.)

The fact that Viggo apparently also took one - at least - photo of Orlando, suggests that Viggo either took some photos before getting lost, or he took photos of Orlando, furtively (or mistakenly?), while he was supposed to flash their way home. (But who is it who claims this photo is the best ever taken of Orlando? Orlando himself? Does he have it framed at home, as a treasured memory?)

As it got dark out with no moonlight, they started bumping into things, falling over and getting scratched by thorns and bruised by trees. They obviously didn't get seriously hurt, but maybe Viggo did start to worry for their safety. Like he said, he felt responsible for bringing Orlando out there, if he also got injured, it would have been disastrous. (Not sure if this rainforest also has dangerous animals and insects. Trampling on a deadly snake, walking into a poisonous spiderweb, getting prowled upon by a wild animal.)

The way Viggo tells it, the whole thing has an air of romantic adventure. Just picture them finding a piece of dry land for them to stay for a while. waiting for the moon and the stars to come out. (Or until the sun came up?) Imagine them lying on soft grass in a glade, talking softly, just waiting and enjoying each other's company.

Orlando can't have been used to being out in the wilderness, particularly in a foreign country, so Viggo was likely feeling protective. And I imagine Orlando keeping close to Viggo at all times, feeling safe as long as he could feel Viggo's warm body near. Trusting Viggo to keep them safe. If it was "pitch dark", how did they keep track of each other? I imagine Orlando grabbing hold of Viggo's hand, clutching it hard, his only anchor in a foreign, scary place. When they laid down in that glade, maybe they snuggled in close to each other to keep warm (since any night will most likely be a little cool). Maybe holding each other, for comfort and safety. Dirty, bruised, thirsty, completely lost and sharing a beautiful night together.

I can also see them finally seeing the first light of day, and being able to find their way back, hiking back to civilisation. Returning dishevled, exhausted yet very happy. I can see them, two crazy and adventurous nutters laughing about that night in the rainforest of NZ. And living to tell the wild tale, for years to come.

It's such a beautiful, romantic image. No matter what, I feel sure such an experience is one you keep with you for a long time. Bonding to the two together, forever. And creating a mythical legend to boot.

[kahans]

i'm here to settle an age-long debate or maybe spark a new one: who has the biggest, brownest, wettest brown eyes in all the land (of film and television)?

below the cut is a photograph of each actor in the role i believe babygirlifies them the best. please reblog for a larger sample size!

[beardedmrbean]

The U.S. Justice Department on Thursday released a withering report into the hundreds of Texas law enforcement officers’ fumbled response to the 2022 Robb Elementary School shooting, finding “cascading failures of leadership, decision-making, tactics, policy and training.”

The long-anticipated 575-page report detailed the many failures of the May 24, 2022 response, but concluded the most significant was that officers should have immediately recognized that it was an active shooter situation and confronted the gunman, who was with victims in two adjoining classrooms.

It noted that since the 1999 Columbine High School shooting, American law enforcement officers have been trained to prioritize stopping the shooter while everything else, including officer safety, is secondary.

��These efforts must be undertaken regardless of the equipment and personnel available,” the report found.

Instead, officers wrongly treated the situation as a barricaded suspect, even as children and teachers pleaded for help with 911 operators. It took 77 minutes for officers to confront the shooter. Nineteen students and two teachers died that day and 17 others were injured in one of the country’s worst school shootings.

The federal review by the Office of Community Oriented Policing Services was announced just five days after the shooting. It was led by Orange County Sheriff John Mina, the incident commander during the 2016 Pulse Nightclub massacre in Orlando. In that incident, officers waited three hours to take down the shooter who had barricaded himself with victims in a bathroom.

A Justice Department and National Policing Institute review of that Florida law enforcement response was far less critical than the Uvalde report. It found that Florida officers mostly followed best practices, although it stated the law enforcement agencies in Orlando should update their training and policies.

In the Uvalde review, the federal team reviewed more than 14,100 pieces of data and documentation, including policies, training logs, body camera footage, audio recordings, interview transcripts and photographs.

The team visited Uvalde nine times, spending 54 days there, and conducted more than 260 interviews with people from more than 30 organizations and agencies, including law enforcement officers, school staff, medical personnel, survivors and victims’ families.

The Uvalde report’s release comes two months after ProPublica, the Texas Tribune and PBS’ Frontline published an investigation into the response after gaining access to a trove of investigative materials, including more than 150 interviews with officers and dozens of body cameras.

The material showed that the children at Robb Elementary followed active shooter protocols, while many of the officers did not. It detailed how officers treated the situation as a barricaded suspect rather than an active threat even as evidence mounted quickly that children and teachers were injured and with the shooter.

ProPublica and the Tribune have also revealed that some officers were afraid to confront the gunman because he had a deadly AR-15 rifle. With the Washington Post, the news organizations found that the medical response also was flawed and that two children and a teacher were still alive when they were rescued more than an hour later, but then died.

U.S. Attorney General Merrick Garland is expected to discuss the federal report at an 11 a.m. press conference.

[gldnlitskiies]

— BASICS

Name: Atticus Pierce Age / D.O.B.: 28/04.20.96 Gender, Pronouns & Sexuality: Cis male, He/him, Bisexual Hometown: Orlando, Florida Affiliation: Civilian Job position: Funeral Home Director Education: Photography Degree Relationship status: Single Children: None Positive traits: (hardworking, loyal, ambitious, patient, understanding) Negative traits: (reserved, hardheaded, stubborn, a bit reckless, slightly naive)

— BIOGRAPHY

death tw,

Atticus Pierce was the first, and only, child Trisha Pierce ever had. He grew up in a single parent household, but his mom's love made up that of two parents. He was the product of a fun night that turned into multiple nights. Trisha fell hard for Heath, and truthfully, one could say they were a pretty perfect duo together. She was in life, and in spirit, his biggest cheerleader. The only reason she never told Heath about Atticus was because in she truly believed she was helping him achieve his true happiness by letting him go on with his career without holding him back. But that didn't mean that she didn't tell Atticus stories about his father, very much keeping his memory alive throughout his entire childhood and teenage years as best as she could. And Atticus? Well, he lived in a world in which his mother had to keep working double jobs, as well as shifts, in order to keep their household afloat. He admired her for the strength she showed him and so he focused his energy on trying to help out around the house. Keeping all the questions he had about his father tucked in the back of his head.

From a young age, Atticus showed signs of being a talented photographer. Even though he loved taking pictures of nature, his passion was with street photography. He loved to capture little slices of life, especially those involving his mother. It was thanks to his photography that he was able to bring in a bit more income for their little home. He always used to ask payment to be in cash and then he would secretly slip it in his mom's purse or pretend like he found it on the street so she wouldn't feel bad. Even though Atticus eventually does end up getting a degree in photography, nothing ever really came of it for him. His mom fell ill when he turned twenty-three, so he spent most of the time working, paying the medical bills, and taking care of her. When he was twenty-five, Trisha finally showed Atticus a picture of his father and her when they had been dating. Then, when Atticus turns twenty-seven, his mom passed due to health complications.

He spent a year just wandering around the Orlando area and pretty much getting into lighthearted trouble here and there. One day he ended up getting into a bar fight with a guy that ends up being his friend by the end of it all, funny enough, and he becomes the reason Atticus gets inspired to look for his father. Little did he know that he would end up finding Heath and he'd end up actually liking his father. He's only been in NYC for six months and the discovery of his father is very recent, but Atticus has a positive outlook on the situation. In the meantime, he's very dedicated to his job at the funeral home. After all, it's thanks to Suresh that he's been able to not only put food in his stomach, plus pay rent, but also find his father.

— WANTED CONNECTIONS / PLOTS

Heath Morgam: father

Suresh Lal: boss/close friend* (atticus considers suresh a close friend)

Photography buddy: open

MORE TO COME

[tizzie-lizzie]

I am the Queen of this Forest, the mother of all witches. . . 📸: @tylerhaunts (best photographer around!) . . #cosplay #cosplayersofinstagram #buildcosplay #sew #sewing #sewingproject #sewityourself #blackclover #blackclovercosplay #queenofwitches #queenofwitchescosplay #witchqueen #cosplayer #asta #forest #megacon #megaconorlando #megaconorlando2023 (at Megacon Orlando) https://www.instagram.com/p/Cqi1Pq0rhdV/?igshid=NGJjMDIxMWI=

[longlistshort]

(Alison Elizabeth Taylor, “Anthony Cuts under the Williamsburg Bridge, Morning”, 2020 Marquetry hybrid (wood veneers, oil paint, acrylic paint, inkjet prints, shellac, and sawdust on wood)

Currently at Orlando Museum of Art is The Outwin: American Portraiture Today, an impressive collection of work in a variety of mediums.

From the museum’s website-

Launched in 2006 to support the next wave of contemporary portraiture in the United States, the National Portrait Gallery’s celebrated triennial Outwin Boochever Portrait Competition is a major survey of the best American portraiture selected by internationally prominent jurors and curators. Now in its sixth edition, The Outwin: American Portraiture Today presents 42 works selected from over 2,700 entries, that foreground the vibrancy and relevance of portraiture today. In addition to paintings, photographs, drawings, and sculptures, The Outwin includes video, performance art, and textiles, highlighting the limitless possibilities of contemporary portraiture.

Open to both emerging and established artists, this year’s entrants were encouraged to submit work that moves beyond traditional definitions of portraiture, and to explore a portrait’s ability to engage with the social and political landscape of our time. The variety of media and subjects featured in the exhibition invite audiences of all backgrounds to find relation in the human experience.

Since its inception, finalists for the exhibition have been determined by a panel of jurors including three Portrait Gallery staff members and four external professionals (critics, art historians, artists). The competition is endowed by and named for Virginia Outwin Boochever (1920 – 2005) who, for 19 years, volunteered as a docent at the Portrait Gallery. Her commitment to advancing the art of portraiture is continued through the support of her children.

Below are a selection of works from the show and information about them from the museum.

Alison Elizabeth Taylor– Anthony Cuts under the Williamsburg Bridge, Morning, 2020 (pictured above)

On walks around her Brooklyn neighborhood during the COVID-19 lockdowns, Alison Elizabeth Taylor encountered the hair groomer Anthony Payne, who,with his workplace shuttered, had taken his scissors, mirror, and chair to the streets. Payne sought to financially support the Black Lives Matter movement, especially in the aftermath of George Floyd’s murder, and turned over proceeds from his donation-based haircuts to organizations advocating for social justice.

Taylor’s process, one she developed and named “marquetry hybrid,” incorporates vivid paints, inkjet prints, and the natural grains of over one hundred veneers. Marquetry, with its inlaid combination of woods, can “memorialize,” Taylor notes. She acknowledges the history of the craft, which was favored by Louis XIV (1654-1715) when he was acquiring furniture for Versailles. By giving Payne this “royal treatment,” Taylor aims to pay tribute to him. ”I want him to see how much his example meant to me,” she explained.

Kira Nam Greene– Kyung’s Gift in Pojagi (From the series “Women in Possession of Good Fortune”), 2019, Oil, gouache, colored pencil, and acrylic ink on canvas

In this mixed-media work, by Kira Nam Greene, the artist Kyung Jeon faces us with relaxed self-assurance. She is carefully positioned on her couch as her long black hair falls over her orange and turquoise tunic. In the foreground, a wooden cylinder containing paint brushes reveals her medium of choice. A plate with persimmons, consumed during the harvest festival Chuseok to celebrate good fortune, brims with potential while the rest of the painting pulsates with action.

Greene situates her friend in a fantasy world that echoes Jeon’s artwork and their mutual interest in the traditional Korean fabric quilting technique of pojagi. Two rabbits, representing Jeon’s Chinese zodiac, appear to be concocting a potion. Flowers sprout as kaleidoscopic patterns envelop her. The reference to pojagi, the visible paint drips in the background painting, and the hands of the sitter- left unfinished- invoke the role of tradition, process, and exploration in artmaking.

Stuart Robertson–  Self Portrait of the Artist from the Out and Bad series, 2020, Aluminum, earth, acrylic paint, enamel, paper,metallic bubble wrap, sequins, and gold foil on wood

“In my world, skin is high-tech, amorphous, and armored,” the artist Stuart Robertson observes. “Blackness is percussive, lustrous, flexible, and indestructible.” Self-Portrait of the Artist depicts a fragment of a man- half of his face and his upper torso-shiny and monumental. A black beard delineates his jaw, and a small gold hoop adorns his ear. Although the figure is cropped beyond recognition, the work’s title provides a clue.

Through the alternation of flat and repoussé aluminum sheets, Robertson achieves a hypnotic effect, a poignant tension playing on what he reveals or hides from us viewers. His refusal to depict his entire face or figure challenges the notion of what a portrait should be and blocks the objectification of the Black male body, so often sexualized in visual culture. Simultaneously, Robertson delivers an irrepressible, resplendent image of that body, one inspired by the aesthetics of Jamaica’s dancehall culture.

Vincent Valdez– People of the Sun (Grandma and Grandpa Santana), 2019, Oil on canvas

An elderly couple faces us with the gentle authority that old age provides. People of the Sun (Grandma and Grandpa Santana) is a portrait of Vincent Valdez’s maternal grandparents. “My grandparents spent most of their time outside,” the artist recalled. “Grandpa spent his entire life working under the blazing Texas sun as a carpenter and yard worker, cutting lawns in the wealthy communities of San Antonio right up until he passed away. Grandma was constantly working with her hands–raising kids, washing, sewing clothes, and tending the plants in her yard.”

The Santanas are depicted in a space defined by details the artist remembers: their vintage AM radio, their plants, their homemade clothes. The bedsheet, like the Virgen de Guadalupe’s aura, signals their spiritual role in the family. This portrait connects the pair to the Indigenous and mestizo cultures of the American Southwest, including the Aztec and Maya, who honored the sun.

Elsa María Meléndez–  Milk, 2020, Canvas with silkscreen, embroidery, ink, and other textiles

Elsa María Meléndez routinely crosses the boundaries between artistic mediums in large-scale artworks that command space and attention. Combining silkscreen, drawing, and various needlework techniques, Milk portrays the artist charging forward, determined. She carries a limp bull and advances while her breasts drip glistening drops of milk.

Created six months into the COVID-19 lockdown, this artwork encapsulates Meléndez’s reflection on the fight for gender equality in Puerto Rico. As people went into quarantine, gender violence escalated around the world. In Puerto Rico, where femicides increased substantially, feminist organizations took to the streets, demanding that the government declare a state of emergency. They received the scorn of substantial sectors of society, across gender lines. In response, Meléndez created Milk, an icon of indomitability that recognizes the strength of women and their life-sustaining force while acknowledging their willingness to nurse the beast that sustains patriarchy.

Timothy Lee– A portrait of the comet boy as a bearer of memories, 2019, Silk, heat-transfer ink, gold leaf, and oil on canvas

In his practice, Timothy Lee investigates his struggles with anxiety, which he feels stem from his Asian American, queer, immigrant, and diasporic identities. Yet, while drawing from his personal narratives more broadly, Lee also attends to the disquieting complexities that are intrinsic to growing up as part of two cultures.

The ironic figure of the “comet boy,” visualized here as if emerging from a halo, is both an embrace of and a departure from the artist’s past. The dynamic interplay of light, shadow, and texture evince the layered nature of Lee’s inquiry. A keen attention to materials and precision, as evidenced by the incised cuts throughout much of the work’s surface, allude to the artist’s earlier scientific training. Snapshots of the artist’s childhood in South Korea emblazon the comet boy’s body. Memories, and with them the past, become part of the flesh, like tattoos.

Clarissa Bonet– Glimpse, 2019 from the City Space series, Inkjet print

The discovery of a figure amongst a grid of windows and vertical blinds conjures the disorienting situation of coming upon an unknown face peeking through a window. With that chance encounter comes the recognition that one is being watched, possibly even surveilled. Glimpse is part of a series that explores urban life, specifically the relationship between private and public spaces and the daily experiences of those traversing these areas, including those of the artist.

Though made before the COVID-19 pandemic lockdowns, for Clarissa Bonet, this photograph brings to mind the recent state of being “isolated from the public spaces we all used to enjoy freely.” The unidentified woman may be looking onto an unknown subject left out of the composition, or onto nothing at all.

Ilene Spiewak–  Deeper into the Isolation of Self Information and Gender, 2020, Acrylic paint and charcoal on canvas

For over fifty years, Ilene Spiewak has focused on the relations between color and visual space, painting at the edge of representation and abstraction. The introspection and solitude brought by the pandemic made her compositions more sparse and her palette more restrained. “I realized what I had in my studio was myself always. . .. I began to insert myself in my paintings more than I was conscious of in the past.”

In this self-portrait, Spiewak outlines her silhouette in charcoal. Her face and nude torso are rendered in soft shades of white, pink, and gray that push against the yellow background. With frankness, she paints her aging body, countering centuries of idealized, youthful, slender female nudes in art. By placing her figure off-center on the picture plane, with her right arm extended but truncated, Spiewak subtly allows us into the intimate act of observing and painting herself.

Inga Guzyte–  Cutting Edge, 2020, from the Kindred Spirits series, wood and used skateboards

Inga Guzyte recycles old skateboards, sawing and reassembling them into new sculptural configurations. Cutting Edge, a portrait of Alison Saar, is from Guzyte’s series “Kindred Spirits.” which honors women who have made their mark in the art world. The ethos of bravery and independence that is part of skateboard culture conveys the tenacity and perseverance of Guzyte’s role models.

Aptly made from reclaimed wood, a recurrent material in Saar’s sculptures and installations, this portrait stands between painting and sculpture. Saar’s expression evokes her fierceness and commitment to her practice. Her headdress points to her Afro-diasporic background, while its dynamic red and orange twists suggest her fiery creative energy. Like a flame, the headwrap attracts a multitude of moths, which recur in Saar’s work to signify a go- between for the real world and the spiritual world.

This exhibition is on view until 10/8/23.

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Small Business Photography in Orlando Tips to Get the Perfect Shot Every Time

If you’re a Small Business Photography Orlando, you know that photography is a key part of marketing your products and services. But taking great photos every time can be tricky. Here are a few tips to help you get the perfect shot every time.

When you are taking photos of Small Business Photography Orlando that you should keep in mind. First, make sure that you are taking photos from the right angle. If you are taking a photo of the storefront, make sure that the business is in the foreground and the background is not too cluttered. Try to get a photo of the business that shows the product or service that they offer. If you are taking a photo of the employees, make sure that they are smiling and that they are in a good light. Finally, make sure that you are not taking photos of businesses that are closed.

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Thanks for reading! We hope these tips help you take great photos for your business. If you need help with anything else, don’t hesitate to reach out to us.

[bbdmd]

the greatest wrestling dentist of all time, dr. brittany baker, d.m.d. thirty two years old, native to punxsutawney, currently residing in orlando. you cannot define hardworking without giving her an honorable mention. her favorite thing to do is prove someone wrong. tell her she cannot do something and she'll take videos and photographs of her doing it and send them to you; much like she did to her guidance counselor who told her she'd never be able to be a professional wrestler as well as a dentist. she is completely enthralled by her work and loves both of her jobs equally. though prior injuries have scared her a little bit when it comes to her future -- knowing that if an injury is sustained badly enough it could very well end her career as a dentist. lately, britt has been taking a step away from the spotlight of the women's division in all elite wrestling and has no current plans on title chasing. however, that is subject to change. being the first woman in aew to hold both the women's championship and the tbs championship is her current goal, with no real time frame set on making it happen.

headcannons: ✘ Her relationship with Austin Jenkins ( Adam Cole ) ended on good terms, right before the holidays in 2022. If an Adam Cole joins the group, the terms of separation can be discussed in more detail if cannon to their portrayal. Everything on screen is for entertainment value only. ✘ She dislikes Thunder Rosa -- and that stems from a long history of sandbagging claims as well as the fact that Brittany views Rosa as ungrateful and unprofessional. ✘ Yes, she is employed at a dental practice in Winter Park, Florida where she works, as a dentist, four days a week and sometimes on Saturday. Her schedule typically has her flying out Tuesday right after she gets off work at the office, heading to wherever Dynamite is being held. Working the show on Wednesday and hopping back on a plane Wednesday night or early Thursday morning to be right back in the dental office for her appointments. connections: ♡ romance: @theabsoluteone Started dating: 7.9.2023 ♡ best friend(s): @hayterades ♡ friends: open ♡ enemies: open direct messages are always welcome. discord available upon request.

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Unlock Your Cash: Sell Your Florida Home Easily

Florida is renowned for its stunning beaches, vibrant culture, and warm climate, making it a prime destination for homeowners and investors alike. However, there comes a time when many homeowners find themselves needing to sell their property. Whether it's due to job relocation, financial considerations, or a desire for a lifestyle change, selling a home in Florida doesn't have to be a daunting process. This article will guide you through the essential steps to unlock your cash by selling your Florida home easily.

Understanding the Florida Real Estate Market

Before diving into the selling process, it’s crucial to understand the dynamics of the Florida real estate market. The market can vary significantly by region, with cities like Miami, Orlando, and Tampa exhibiting different trends. For instance, Miami's luxury market has seen a surge, while suburban areas may experience steady demand for family homes. Familiarizing yourself with local market conditions, including average home prices, inventory levels, and buyer demographics, will help you position your home effectively.

Key Market Trends

Rising Prices: Many Florida cities have witnessed a steady increase in home prices, driven by demand from both domestic and international buyers.

Shorter Time on Market: Homes in desirable areas are selling faster than ever, often within days of listing.

Investor Activity: Florida attracts numerous investors looking for rental properties, making it essential to market your home to this audience if it suits the property type.

Seasonal Sales: Florida's real estate market tends to be cyclical, with peak activity occurring in the winter months when seasonal residents return.

Preparing Your Home for Sale

1. Enhance Curb Appeal

First impressions matter. Enhancing your home’s curb appeal can attract potential buyers and create a positive impression. Simple improvements, such as fresh landscaping, a new coat of paint on the front door, and clean windows, can significantly enhance your home’s exterior.

2. Declutter and Stage

Inside your home, decluttering is crucial. Remove personal items, excess furniture, and any clutter that could distract potential buyers. Consider staging your home to highlight its best features, making it more appealing to a wide range of buyers.

3. Make Necessary Repairs

Address any minor repairs that may deter buyers, such as leaky faucets, cracked tiles, or peeling paint. A well-maintained home signals to buyers that the property has been cared for, increasing its value.

4. Obtain a Pre-Listing Inspection

Consider getting a pre-listing inspection to identify and address potential issues before listing your home. This can expedite the selling process and instill confidence in potential buyers.

Setting the Right Price

Pricing your home correctly is critical to attracting buyers and achieving a successful sale. Research recent sales of comparable properties (comps) in your neighborhood to understand what buyers are willing to pay. Keep in mind that overpricing can lead to longer market times and ultimately lower offers, while underpricing may result in missed profits.

Pricing Strategies

Competitive Market Analysis (CMA): Work with a real estate agent to conduct a CMA to determine a competitive listing price based on recent sales and current market conditions.

Consider Appraisal: If you're unsure about pricing, consider hiring a professional appraiser to provide an unbiased estimate of your home’s value.

Psychological Pricing: Consider using pricing strategies that appeal to buyers' perceptions, such as pricing your home just below a round number (e.g., $299,900 instead of $300,000).

Marketing Your Home

In today’s digital age, effective marketing is key to attracting potential buyers. Here are several strategies to ensure your home gets the attention it deserves:

1. Professional Photography

High-quality photographs are essential for online listings. Invest in professional photography to showcase your home’s best features and create a welcoming atmosphere.

2. Virtual Tours and Videos

Offering virtual tours or video walkthroughs can provide potential buyers with an immersive experience, especially for those who are relocating or unable to visit in person.

3. Utilize Online Listings

List your home on multiple online platforms, including the MLS, Zillow, Realtor.com, and social media channels. The more exposure your home receives, the higher the chances of finding the right buyer.

4. Open Houses

Hosting open houses can attract local buyers and provide them with an opportunity to view your home in person. Ensure your home is clean, well-lit, and inviting during these events.

Working with Real Estate Professionals

While some homeowners choose to sell their homes independently, enlisting the help of real estate professionals can streamline the process and increase your chances of a successful sale. Consider hiring a local real estate agent who understands the market and has a track record of successful sales in your area.

Benefits of Working with an Agent

Market Knowledge: Agents have access to up-to-date market data and trends, helping you make informed decisions.

Negotiation Skills: Experienced agents can negotiate on your behalf, potentially securing a higher sale price.

Time-Saving: Agents handle the paperwork, showings, and communications, allowing you to focus on other important tasks.

Network Access: Real estate agents have a network of contacts, including other agents and potential buyers, increasing your home’s exposure.

Navigating Offers and Closing the Sale

Once your home is listed, you may receive multiple offers. Be prepared to evaluate each one carefully. Consider not only the offer price but also the buyer's financial qualifications, contingencies, and closing timeline.

Handling Offers

Review Carefully: Take your time to review each offer and consult with your agent to understand the terms and implications.

Counteroffer: If an offer falls short of your expectations, don’t hesitate to make a counteroffer. This can lead to negotiations that result in a more favorable agreement.

Accepting an Offer: Once you accept an offer, your agent will help you navigate the next steps, including inspections, appraisals, and financing.

Closing Process

The closing process can vary, but it generally involves the following steps:

Inspections and Appraisals: The buyer will likely conduct inspections and appraisals to ensure the property is in good condition and valued appropriately.

Title Search: A title company will conduct a search to ensure there are no liens or claims against the property.

Closing Statement: You'll receive a closing statement outlining the financial aspects of the transaction, including closing costs and any adjustments.

Final Walkthrough: The buyer will conduct a final walkthrough to ensure the property is in the agreed-upon condition.

Transfer of Ownership: Once all documents are signed and funds are transferred, ownership is officially transferred to the buyer.

Conclusion

Selling your Florida home for cash can be a straightforward and profitable process if approached with the right strategies and knowledge. By understanding the market, preparing your home, setting the right price, and effectively marketing your property, you can unlock the cash tied up in your real estate asset. Whether you choose to work with a real estate professional or go the DIY route, being informed and prepared will help ensure a smooth and successful sale. Embrace the journey and look forward to the new opportunities that await you after unlocking your cash!